A Game of Cluedo

A Game of Cluedo
A Game of Cluedo, Tatler Magazine

Sunday, 17 April 2011

Lloyd Simmonds beauty guru & Yves saint Laurent: Two industry giants unite



By Alexander Patino

Yves Saint Laurent is looking to switch gears with the launch of the fashion house’s radiant, carnal and powerful Rouge Pur Couture line that debuted this past June (2010). And, the appointment of Lloyd Simmonds, the brand’s new International Makeup Artist, it’s clear that YSL is taking steps to stay on the forefront of beauty.

A native of British Columbia, Simmonds was the creative mind behind the makeup for the Benetton group’s international campaigns for both fashion and beauty products for over 13 years. After his great Italian strides, Simmonds moved to Paris where he turned out over 70 covers for French Elle and other international editions of the publication.

With his artistic origins deeply rooted in the theater, Simmonds’ work has always been notably dramatic – hyperbolic in its deployment of glamour. It’s no wonder that Yves Saint Laurent, one of the fashion world’s leading voices, came around and asked him to lead the way to what beauty will mean tomorrow. Fashion Q&A met up with the top makeup expert at YSL’s New York offices and got the scoop on how the experience has been so far, his favorite fall look and what he plans to bring to a house of beauty that seems to have everything covered.
FASHION Q&A: You were just appointed Yves Saint Laurent’s International Makeup Artist this past June. How has the experience been these past
four months?
LLOYD SIMMONDS: You know it’s been a humbling experience. It’s something I’ve always dreamt about, but I didn’t realize that there were so many
people behind this brand. It’s an important brand to an entire nation – to France! It’s definitely a lot of responsibility resting on my shoulders, but I couldn’t be happier about that. Luckily for me everything that YSL stands for is what I’ve always loved about style – an exaggerated elegance.

FQA: Nicolas Ghesquiere for Balenciaga once said that each of his collections carries a horror movie leitmotif. Would you say that there is an element that has always been present in your work in these past 20 years as a makeup artist?
SIMMONDS: There is. As much as possible, I do like to have an exaggerated glamour. It’s not necessarily dark, but it’s definitely exaggerated. I like to be theatrical. If I’m working on any given magazine that theatricality can be interpreted any number of ways. Here at Yves Saint Laurent I’ll be working with
the label’s inherently extreme luxury and its extreme Parisian eroticism. I’m keeping that – there’s no way around the tenets of the line. Yves Saint Laurent has a mystical heritage and I’m looking forward to using that as a jumping off point.

FQA: Prior to your exciting appointment at YSL you were styling Benetton’s ads for over thirteen years. In other words, you’ve taken a complete
polar opposite turn and you definitely seem better suited at the French fashion house. Did you feel a certain kind of restraint during your tenure at Benetton? Do you see this as a freeing opportunity?
SIMMONDS: What I learned at Benetton was the multiplicity of both women and men. It was a huge spectrum, which I think is also very Yves Saint
Laurent. He was the first to use colored girls on the runway – and that was way, way back. And that’s what I think I can bring to YSL, the fact that I love a multicolored world. I like a world that is not just one thing.
FQA: We’re well into our autumn season now. What would you say are the major beauty trends that women should keep a close eye on?
SIMMONDS: I do love a strong lip. We do have our new Rouge Pur Couture that falls right into
that. A dark, rich lip for fall, I’ve always liked that. But I don’t think there should be any dictates. I
think all women should be free to follow their muse. The wilder, the crazier, the better.

FQA: Yves Saint Laurent had a double debut this year. Your appointment to the brand as International Makeup Artist coincided with the launch of YSL’s Rouge Pur Couture lipstick line. But word is that you will be spearheading your own cosmetics designs, including nail polishes for the brand, which are supposed to be debuting in Fall 2011. Can you give us a hint about what’s in store?
SIMMONDS: I’ve already worked on six different shades lipsticks that will be my Spring/Summer versions of this season’s Rouge Pur Couture. But my first real collection that I’ve had 100% input on will be available in stores in August and the ads for that should be out around the same time – around July or August. You’ll see that when it debuts later next year, it will be an ultimate, super statement about the richness of the Yves Saint Laurent universe.
THE BUZZ ON BEAUTY
With the holiday season approaching you may be thinking of updating your look. And, Yves Saint Laurent has all the bases covered to help you turn heads with a new line of limited edition products
that puts to rest the age of nudes and gives release to a blast of light and color. Start prepping that beauty artillery bag with the lipstick of heroines, Rouge Pur Couture and take a look at what the ultraglam French house has in store.
Palette Metallic Colorama is a face highlighter with a pearly finish that comes helps to blend away
any of your complexion’s imperfections with a pink champagne shimmer. Inspired by YSL’s limited edition Metallic Colorama collection of accessories, this dazzling finishing powder comes in a chic golden leatherette case.
A virtual magic wand in a pen, the Touche D’Or dusts the complexion with an illuminating powder.
Helping to accentuate the face’s contours and brighten the cheekbones, this incandescent sheen adds a fantastic glow to the eyes and the lips when mixed with another fun color. Make sure to dab the arches of the eyebrows and the corners of the eyes with your Touche D’Or brush to give you face an elegant brightness.
Achieve the ultimate vintage look with La Laque, a trilogy of gold shades in Yves Saint Laurent’s metallic spin on the holiday season. Another metallic colorama gem, these haute nail polishes come
in three new amazing tones: No. 139 – Aged Gold, No. 140 – Rosy Copper and No. 141 – Brilliant Silver. Apply to the very tips of the fingernail to add a little playfulness to your holiday party look.

Yves Saint Laurent Spring 2011 Libertine Make Up Collection

If you haven’t seen it yet – here is the Spring 2011 makeup collection by Yves Saint Laurent called Boheme Libertine, created by Lloyd Simmonds.
I went passed the counter yesterday and saw my wonderful friend Peter who is their account business manager. His love of colour and texture is absolutely infectious (as is mine) and I am now absolutely IN LOVE with ALL of the waterproof eye pencils. The texture is creamy and rich,the colours stay in place and you can either smudge them with your fingers or use a brush for a fool proof smoky eye or let them set.
The new eyeshadows are wonderful, wet or dry (sorry Shu Uemura- eat your heart out!!)

Fresh and bright shades for spring are always welcomed!

The star product of the collection is the highlighting powder called Pink Celebration.
There are 8 new shades of Rouge Pur Couture lipsticks and a new set of French Manicure with blue and taupe/mauve nail polishes and 3 new shades of cream blush Velvety Peach, Passion Red and Temptation Fuchsia.

Solo Eye Shadow in
No.15 Gold Leaf
No. 16 Topaz Blue
Golden Gloss in
# 41 Golden Isolence
#42 Golden Obsession
Mascara Singulier in Deep Plum

Sunday, 27 March 2011

Brand Anna Wintour

'Brand Anna Wintour'
'You can make a film in Hollywood without Steven Spielberg's blessing, and you can publish software without Bill Gates's blessing, but you can't succeed in fashion without Anna's blessing.'
BY MELISSA WHITWORTH | 25 MARCH 2011

Anna Wintour's cover for WSJ Magazine.
Anna Wintour has been the undisputed queen of the $350 billion fashion industry since taking over the editorship of American Vogue in 1988.

Kate Moss and Anna Wintour are afflicted by 'shyness', says Mario Testino
She is the cover star - in a shoot by Mario Testino - of WSJ Magazine , the Wall Street Journal's glossy weekend magazine, which goes on sale tomorrow in the US. The accompanying story seeks to explain why Wintour, after all these years, is still the most powerful figure in fashion.
Anna Wintour talks exclusively to The Telegraph at New York Fashion week
R. J. Cutler, the producer of "The September Issue", tells the magazine: "You can make a film in Hollywood without Steven Spielberg's blessing, and you can publish software without Bill Gates's blessing, but you can't succeed in fashion without Anna's blessing."

Wintour transcends the boundaries of what a fashion magazine editor does. She has, for example, urged the French government to fund young designers; organised an annual night of shopping called "Fashion's Night Out" to help New York's struggling retailers through the recession; and vigorously promoted young talent - like Marc Jacobs - to the bosses of the luxury conglomerates. Jacobs took the reins at LVMH's Louis Vuitton in 1997 largely because of Wintour's tutelage.
Of finding new talent to feature in the magazine - Sean "Puff Daddy" Combs and LeBron James, the basketball star, have been a few eyebrow-raising inclusions over the years - she says: "There are people who are like beacons, and I'm in the fortunate position that I can meet such people.
Anna Wintour stars in Sean 'P Diddy' Combs' new album
"To be in Vogue means something. Not all of them become friends, but it's part of my job to get to know these people and try to understand who they are, what they are and what future they have. I won't pretend that I'm sitting here with a spreadsheet . . . 'Now it's time to reach out to LeBron James.' It's instinctive."
Jacobs says: "Her genius is picking people very astutely, whether in politics, movies, sports or fashion."
Harvey Weinstein has had a 15 year-long friendship with Wintour. "I'm a streak player, but Anna's there, good or bad," says Weinstein. "When I wasn't doing so well, Anna would throw a party and put me next to Bernard Arnault."
Samantha Cameron and Anna Wintour team up
When Baz Luhrmann was drowning in bad press before the release of "Moulin Rouge!" (which went on to win two Oscars) he sent Wintour an early, half-finished cut of the film. He says he "always listens" to what Wintour has to say.
Despite, or perhaps because of, her power, Wintour has endured years of derision and been called all sorts of unflattering nicknames - the most prevalent being "Nuclear Wintour" because of her so-called icy demeanour.
"She gets such a bad rap. She stands by the people she believes in, and if you're not one of those people, perhaps you take a different view," says Jacobs.
Once, Wintour told a press conference, "It's true, of course, that I beat all my assistants, lock them in a cupboard and don't pay them." She took the release of "The Devil Wears Prada" in her stride, showing up at the premiere of the film... wearing Prada, of course.
The storyline of "The Devil Wears Prada" centres around a failed attempt at a coup to overthrow the editor in chief, Miranda Priestley, played by Meryl Streep, and replace her with a rival French editor.
For years, there have been rumours that Wintour would be ousted at Vogue and replaced by Carine Roitfeld, the former editor of French Vogue.
S.I.Newhouse, her proprietor, tells WSJ Magazine that he never plans to replace her. "Never. I hope she's here 10 years from now, 20 years from now."

Teaser: Keira Knightley's motorcycle-chic for Chanel - Fashion Videos - Telegraph

Teaser: Keira Knightley's motorcycle-chic for Chanel - Fashion Videos - Telegraph


Teaser: Keira Knightley's motorcycle-chic for Chanel - Fashion Videos - Telegraph

Backstage with Marc Jacobs at Louis Vuitton autumn/winter 2011 - Fashion Videos - Telegraph

Backstage with Marc Jacobs at Louis Vuitton autumn/winter 2011 - Fashion Videos - Telegraph

Blake Lively- The face of Chanel Mademoiselle Handbags

Everyone's favourite Gossip Girl, Blake Lively's debut Chanel ad is here - in all its glory.

Blake is the face of Chanel Mademoiselle handbags.

I love it - and I want one of those damn bags too

.

First heard on the beauty scoop blog.

xoxo

Wednesday, 23 March 2011

Warhol's Superstars


"Everything has its beauty," Andy Warhol once said. "But not everyone sees it." At the height of the sixties, the artist made hundreds of films starring a coterie of socialites, models, teenage ex-cons, transvestites, and street urchins. He called them his Superstars, and while they didn't always conform to Hollywood's definition of pretty, all of them were fabulous—a virtual requirement for making it through the door at the Factory. There were the mascara-loving It girls Nico and Edie Sedgwick, the glamorously aristocratic and voluminously blonde "Baby" Jane Holzer, and the tragic Ingrid Superstar, whose real name, life pre-Warhol, and unexplained disappearance are still shrouded in mystery. And don't forget Ultra Violet and Viva, the latter of whom was on the phone with Warhol when he was shot by Valerie Solanas.

see more photos
A curated selection of Warhol's movies, including some of his animated photo booth Screen Tests, is now on view at MoMA's Andy Warhol: Motion Pictures exhibition. But you don't have to hit the museum to watch the artist's legacy in motion. The makeup teams at Diane von Furstenberg and Victoria Beckham's Spring shows paid homage to Warhol and his movie muses, via electric pink lips and, yes, ultraviolet eye shadow.
—Holly Siegel